Richard Nixon And Elvis Presley Kept In Touch By Phone

New information is being made available courtesy of Egil Krogh regarding the relationship between Richard Nixon and Elvis Presley.  It was a most remarkable scene, if you can image it, when the King of Rock and Roll walked into the office of the straight-laced President.   In fact, the images from that meeting are now legendary.   To be a fly on the wall……

Of all the requests made each year to the National Archives for reproductions of photographs and documents, one item has been requested more than any other. That item, more requested than the Bill of Rights or even the Constitution of the United States, is the photograph of Elvis Presley and Richard M. Nixon shaking hands on the occasion of Presley’s visit to the White House.

And now new information that keeps the story growing more interesting.

Friendship apparently meant more to Elvis Presley than politics. Egil “Bud” Krogh, the presidential aide who was convicted of running Richard Nixon’s “plumber” unit and who also guided Elvis around the White House on Dec. 21, 1970, reveals that the King and the former president kept in touch even after Watergate forced Nixon from office. Krogh, who is updating his The Day Elvis Met Nixon with the new revelation, says Elvis phoned Nixon in 1974 when the ex-prez was suffering from life-threatening phlebitis. “Something obviously happened when they met,” says Krogh, whose latest book, Integrity, is a primer on how to ethically serve a president. “They liked each other very much.” And Nixon returned the favor when Elvis fell ill. “Nixon was a defender of Elvis,” Krogh tells us.

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Published in: on April 24, 2008 at 8:13 pm Comments (1)

Vinyl LP Recordings Coming Back! Elvis Costello Ignores CD Format (And Where To Buy Vinyl)

The trend by some recording artists to use vinyl again is wonderful for folks like myself who have long known that the warm rounded sound that is found on an LP never has existed on a CD.  One understands there is a big difference in sound if you grew up in the vinyl era like I did.  While I love change in the tech world, I also admit to having very warm and sentimental feelings about things such as the ‘pop’ on an LP.   The vast majority of music I listen to at our home is on albums.  (James being 10 years younger listens more to CD’s)  Now over the past many months I have become more aware that I am not alone in my thinking.  (Regardless of what James thinks.) (Smile)

I heard the news this past Christmas that makers of record players were having a grand season with sales as more music lovers aged 18-35 were buying the machines to play vinyl on.  Now there is news that Elvis Costello will ignore the CD format and record his newest album since 2004 on vinyl.   While small name bands have done the same thing for years, Costello is a powerhouse performer who is making a clear statement.

Costello has a unique marketing plan for his new release. Costello’s nontraditional release strategy for Momofuku. At least at first, it will come out only on vinyl, with a digital download code inside the package.

I recall with fondness browsing among albums as a teenager on Saturday afternoons in Stevens Point.  From the music store on Main Street (Graham’s?) to Woolworths there was something special about looking at albums.  The colorful covers and liner notes were easy to read and just pure fun.  Buying vinyl today is more difficult, but not impossible with sites such as LPNow.com.      I heard Barry Mayer, owner of the site, interviewed last night and his love for vinyl is genuine.  He has an amazing selection! Even the real Elvis!  (Smile)

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Published in: on April 11, 2008 at 12:18 pm Comments (0)
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Saying Goodbye To 2007 And Hello To 2008 With “Memories” And “Auld Lang Syne” With Elvis

From New Year’s Eve in Pittsburg, 1976 Elvis sings “Auld Lang Syne” from a bootleg recording.

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Published in: on December 31, 2007 at 8:19 pm Comments (0)

Ready To Celebrate Christmas

The Christmas mood has settled in over our home.  Much like the fog outside it seems insulating and perfect.  A couple more gifts to wrap, and some more cookies to make are all that remain to be done.  Relaxing and enjoying the tree and the meaning of the season will be at the top of our agenda.    With another major winter storm aiming for Wisconsin we are glad to have all the shopping completed so we can stay off the roads during the bad weather slated for this weekend in Madison.

I hope that all of you have a Merry Christmas! I will be back to blogging on December 26.

Below you will find my Mom’s favorite Christmas song.  I thought this a good place to post it.

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Published in: on December 21, 2007 at 3:03 pm Comments (1)

“YOUNG” Elvis & The Blue Suedes Rockabilly Tribute Show”

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A reader of mine, Harold Schulz, who stars in the “YOUNG” Elvis & The Blue Suedes Rockabilly Tribute Show”, wrote me saying he just played at the Rockabilly Hall of Fame.  His fast paced show with plenty of hip wiggling is a showcase of Elvis in his prime.  These videos from Jackson, Tennessee where the hall of fame resides, makes the case for why this museum needs our attention and financial support at this time.  It is also clear that Schulz has the early years of ‘The King’ mastered as his style and impersonation is stunning.  One might even say flawless.

I strongly feel that only the great impersonations of Elvis deserve any credit.  It is for that reason that this act gets a post here on my blog.  It has been 30 years since the death of Elvis, but the magic of those early years when Elvis was barnstorming the south in search of a dream can be felt again when Schulz hits the stage.  With a strong band that only sharpens the show, Harold Schulz takes his audience back to the time when America needed a dose of excitement…..and Elvis provided it.

Elvis has left the stage..but thankfully there are memory makers like Schulz to fill the void.

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Published in: on August 30, 2007 at 1:57 pm Comments (1)

ELVIS Jumpsuits…..62 If You Are Counting..And Karate Too!

This comes days after most of the world observed the 30th anniversary of Elvis Presley passing away at his Graceland mansion.  And while there will be plenty of time to get back into the political issues here on the blog, I want to take a moment to remember the glitz that made an Elvis concert a one-of-a-kind experience.  The specially designed clothes that Elvis wore were part of the show, and as this video proves they were colorful and powerful when the stage lights went up.

I grant you the canned music on that video was just awful so I give you the real thing with this video below.  And this blog gets back to politics on Wednesday.  It is time.

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Published in: on August 21, 2007 at 6:04 pm Comments (0)

What To Do When Elvis Presley Gives An Order?

As reported in this morning’s newspaper, The Capital Times,  Sunday June 24th, 2007 will be the 30th anniversary of Elvis Presley flying into Madison, Wisconsin for the last time.  As Doug Moe writes the concert was not the only event that the famed entertainer was involved with.    For my Elvis readers around the country I print the complete story below.

ELVIS…INSIDE SCOOP!

Ex-limo driver finally tells all, 30 years later

 

SUNDAY MARKS 30 years to the day since Elvis Presley flew into Madison for the last time, a visit that was less remarkable for the concert he gave at the Dane County Coliseum than for what happened when Elvis was en route to his hotel from the airport.

Much has been written about Presley’s last Madison stop — he died just two months later — but in the three decades since, one close witness has not gone on the record, until now.

Eric Schumacher, 52, today works at the Pyle Center for University of Wisconsin-Extension. Thirty years ago, Schumacher drove the limousine that carried Presley from the Four Lakes Aviation terminal to the Sheraton Hotel near the Coliseum. He also picked up Presley at the Coliseum after the show.

Schumacher is a Madison native and a 1972 graduate of Madison Memorial High School. In June 1977 he was working for Checker Cab, which owned one limousine.

“It was a 1964 Cadillac,” Schumacher was recalling this week.

Checker Cab was in a sense a forerunner of today’s Union Cab. In 1978, many Checker drivers walked off the job in a dispute with management. Checker shut down in January 1979, and a short time later the former drivers formed Union Cab.

Schumacher was 22 and a night dispatcher for Checker when he learned the company had been contacted to transport Presley, who would be coming to Madison after a June 23 concert in Des Moines, Iowa.

Originally, Schumacher says, the Checker manager assigned himself to drive Presley from the airport and to and from his performance. As it turned out, the manager could handle only one of those duties — he drove the singer from the Sheraton to the Coliseum.

A couple of days before Presley’s visit, the manager told Schumacher that he — Schumacher — would be picking up Elvis at the airport and also after the concert.

Schumacher was excited on receiving the news: “I thought it was really cool.”

On the night he was to pick up Presley, Schumacher brought along and put under the seat several Presley singles in hopes the “King” might sign the picture sleeves.

With Schumacher in the limousine was Madison police detective Thomas J. McCarthy, who was off duty but had been hired by Madison promoter Herb Frank to provide security for Presley.

Schumacher recalls the plane being late. “I had the limo right out on the tarmac,” he said. A large crowd of Elvis fans had gathered behind a fence next to the runway.

The plane landed around midnight. Schumacher said he stayed in the limo and watched as several people got out of the plane. Then there was a shriek from the crowd as Presley appeared.

“He was carrying a tumbler and appeared a bit unsteady,” Schumacher said.

Schumacher recalled Elvis and several other people getting into the back of the limo. McCarthy sat up front. Schumacher said one of the others in the back of the limo was Elvis’ father, Vernon Presley. (In an interview a few years ago, McCarthy told me the same, adding that Elvis’ girlfriend, Elvis’ father’s girlfriend and another security guard also were in the car.)

“Nobody was talking much,” Schumacher said. “I was driving along Highway 51, and several cars followed us from the airport. They were trying to get a look inside the limo, which you can’t do.”

Schumacher stopped for a red light where Highway 51 — Stoughton Road — intersects East Washington Avenue. It would become a famous stop, because while people can’t see in a limo, the passengers can see out, and Elvis had spotted what he thought was an altercation at the Skylane Standard Station at 1506 N. Stoughton Road.

“It looked like the attendant was trying to get a reading on the meter to close the station,” Schumacher said. “Another guy, who I think wanted to buy gas, was arguing with him.” (The attendant was La Follette High School junior Keith Lowry, whose father owned the station.)

McCarthy recalled that there were two men arguing with the attendant. “They started shoving,” Schumacher said.

Suddenly Elvis declared: “I can’t let that happen.”

“You’re not getting out of the car,” McCarthy told Elvis.

“That isn’t right,” Elvis replied.

The stoplight turned green, and McCarthy turned to Schumacher and ordered, “Drive!”

Schumacher started off, but he recalls Presley saying, “Hold up there, boy!”

What do you do when the King of Rock and Roll gives you an order?

Schumacher stopped the limo.

Presley hopped out, with his security in pursuit.

Schumacher stayed in the car, and recalls the scene as a bit surreal. “I remember wondering why he was getting involved.”

As one might guess, Presley’s appearance broke up the altercation. The gas station episode passed into legend when a young State Journal reporter named Tom Still got tipped and reported it on the front page.

Back in the limousine, Elvis laughed and said, “Did you see the looks on their faces?”

Schumacher dropped off the singer and his entourage at a side entrance to the Sheraton. He never did get his record sleeves signed.

Less than 24 hours later, Schumacher and his Checker limo were waiting at the Coliseum when Presley’s concert ended. It was a quick ride to the Sheraton.

“He was wiping his face with a white hand towel that he left on the seat,” Schumacher said. “I kept it for a few years, but I don’t know what happened to it.”

Thirty years later, does the driver remember anything else about his brush with a legend?

“He didn’t tip.”

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Published in: on June 23, 2007 at 10:19 am Comments (4)

Elvis Presley Continues To Entertain With Wholesome Values

There he was again in the newspaper.  This time it was in the Sunday edition, when more readers are likely to pick up and read a copy of the Wisconsin State Journal.  Susan Lampert Smith, a writer that just has a comforting style, took us back to 1977, and the time Elvis Presley broke up a fist fight in Madison.  The story is part of the Madison landscape now, and has been retold many times, and yet we never seem to tire of it.  In fact, as Smith writes, Madison Police Detective Bruce Frey, who was 20 years old and witnessed The King jumping from his limousine, while clad partly in one of his famed jumpsuits, is going to publish a fuller account of the story.

What is it about Elvis that makes us revisit these stories, and go backwards in time? 

For many years I have lamented the lack of quality in the entertainment world.  Too many stand up comics today insult my intelligence with profanity laced humor, too many singers just warble their voices while the music plays, and too many celebrities seem to have lost their self respect….and in some cases even their underwear.  And in the latter case are even proud to be photographed! 

I have been accused of growing up in the wrong decade.  Even as a kid I considered Elvis as the ultimate entertainer. I also had great respect and admiration for the multi-talented Sammy Davis Jr.  Though I never saw either of them perform, I did see the other star in my personal hit parade, Frank Sinatra, take the stage in Milwaukee.  WOW!  These were the type of entertainers that I grew up listening to.  They had earned my attention by being solid professional showmen on the stage.  While they were human, and each had their own quirks and blemishes, they did not go out of their way to scratch the national blackboard with their fingernails.  They had an old fashioned relationship to their audience.  I really miss that quality today.

There was a time not so long ago when stars respected their fans, and appreciated their audiences.  This was also the time when stars were on the top due to real talent, and not just as the result of the slickest PR firm working to create something that never existed.  I hate to even allow the following name to appear on my blog, but how did Paris Hilton ever make it to the point where she dominated the news headlines all day last Friday?  The only talent she has is the ability to seriously offend.  And she does that with great delight it seems.  Contrast her with Sammy Davis Jr. who started at about age 4 in vaudeville, could tap dance, sing, act, and totally mesmerize his audience while on stage.  Thinking of the two proves how far we have dropped in just a short period of time.  I trust that Sammy accepts my regrets for placing him in the same paragraph as Hilton.

So it is easy to see why Elvis, who never lost his shy ‘yes ma’am’, and ‘no, sir’, still finds a place in our living room where we read the paper, or the car CD player where he sings us down the road.  I think many profess to love the modern world, but deep down love to be reminded of the time when Elvis, a nice boy from the South who made good, could bring traffic to a stop on East Washington Avenue in Madison, Wisconsin.  We need to be reminded that there was a softer, more polite entertainment world not so long ago. 

And Elvis was a major part of it.   And still is.

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Published in: on June 11, 2007 at 7:05 pm Comments (8)

“I Don’t Sound Like Nobody”

I recall that Senator Lamar Alexander of Tennessee said a few years ago that even though the United States Supreme Court had ordered desegregation with the landmark school case in 1954, the mix was already under way due to Sam Phillips.  And it was true.

Phillips had an idea about what music during the early 1950’s might blend into, and his vision was not black or white.  His desire to bridge the musical divide sounds blase today, but in the early 1950’s it was a different world.

The fusion of black and white culture, blues, country, and gospel was formed and shaped in Sun Studios in Memphis, owned by the legendary Sam Phillips.  In that mixture Phillips remade popular culture.  It was there that the mix of music took physical form, and the result was a kinetic energy unleashed in a mild-mannered, almost shy young man.

When Elvis Presley (born on January 8, 1935) entered Sun Records for the first time in 1953 he did so to cut a record for his mother’s birthday.  The office manager, Marion Keisker, would ask Elvis weeks later what country singer he thought he sounded like.  One can almost hear him utter his response, “I don’t sound like nobody.”  He was correct. 

His style and mannerisms on his first recordings at Sun Records defy definition. The raw sensual edginess still leaps out of the recordings today, and demands recognition.  Many who heard him on the radio in 1954 when he was still unknown thought he was a black singer, and parents who would soon watch his onstage movements, would call him sinful.  So much has changed in our culture and music since that time that it seems bizarre to realize that some once considered Elvis vulgar.

As we observe Elvis’ birthday today it might be proper to mention his first album from RCA that contains five Sun recordings. RCA bought out his Sun Records contract when Col. Tom Parker became his manager.  There is intensity to the music in that first album as if Elvis is not sure he will ever get another chance in a recording studio, so he is making every note count.  Here is a young man with a dream, singing a new style of music (rockabilly) and he is not sure the dream can be fulfilled.  It is that mindset that makes the urgency of the music so grabbing.  It is his neediness heard in the vocals that demands we pay attention.  We did of course, and nothing was ever the same again in American music. 

The night Elvis died in 1977, I recall that Pat Boone (the un-Elvis) remarked that America could not comprehend an old Elvis, and with his passing would always have the younger Elvis to remember.  That was true, but I have always wondered if at some point, with a new manger, Elvis might have drifted back to his early magic and produced more cutting edge music.   That is not to say I did not marvel at his Vegas years and SRO concerts nationwide.  I am quite fond of that period with his many white jumpsuits with colorful designs, but all along I knew there was a fantastic talent with a raw edge that still was there inside the man.  I just had hoped he could again have captured it in the recording studio.

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Today I will put his first LP on the stereo (the first rock and roll album to ever hit number one on the pop charts) and again be grateful at how it all began at Sun Records.

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Published in: on January 8, 2007 at 1:42 am Comments (1)

From 1959! And It Is Mine!

Sunday afternoon was picture perfect, the weather demanding everyone to be outdoors.  It did not take any coaxing for me to enjoy the fall weather.  While doing some errands and shopping we decided to stop at Westside Antiques Mall in Madison, Wisconsin.   This was the first visit to their new location on the west side of the city.

Many vendors have set up various small spaces that allow for a wide variety of unique items to be displayed.  We were almost finished looking at everything from old maps to Victrola’s when I found the missing item to my Elvis Presley collection.

I started collecting all of Elvis’s RCA albums as a teenager, and had only one more old, and hard to find treasure, to have a full set.  There it was, placed with several other albums from a variety of singers.

The 1959 “For LP Fans Only” was a unique PR move by Elvis’ manager, the crafty, wise, and at times unscrupulous, Col. Tom Parker.  Elvis had been called up by the U.S. Army and was stationed in Germany.  The rock-and-roll phenomenon was unable to record new material but Parker knew he had to keep Elvis in the eyes of his public.    The release of the “For LP Fans Only” was one of the vehicles chosen to fulfill that mission.

The album was new, but the music was from various other albums and recording sessions.  It was the first time that an LP was ever issued without the artist’s name on the cover…..or on the backside either. 

That was the final album I needed to complete the RCA released recordings he made during his lifetime for my collection.  From his first RCA album of energetic rockabilly recorded earlier at  Sun Studios in Memphis,  to his final blue vinyl release “Moody Blue” in 1977,  The King still lives on in my stereo.  I have also kept up to date with newly released material from the RCA recording vaults.

I am one of those oddities that have a turntable component in my stereo system, and own a whole lot of albums by a wide variety of performers.  They are played regularly here.  I know some are reading this and find that concept as outdated as a Victrola. 

Yeah, it was a perfect fall day!

Published in: on October 29, 2006 at 10:41 pm Comments (2)

Elvis’ Hair

As an Elvis fan I think it proper to change the topic today from politics to ‘The King’ in memory of the musical legend who passed away on this day in 1977.

Apart from his music, the social impact he made on America, and his enormous generosity there is another part to the man that has always fascinated me.  It was his hair and the way it always looked just right for the occasion. 

Instead of me writing this post I (for this one time) will post from another source.  (Cyber Club Elvisly Yours - Newsletter 41)  Many people have asked over the years about what pomade Elvis used for his hair. Elvis’ hairdresser on the road was Larry Geller who was also his spiritual advisor. Larry wrote the following.

…. “in terms of Elvis’ hair you can add the following: In the sixties I styled
Elvis’ hair for the movies Roustabout; Girl Happy; Double Trouble; Easy
Come, Easy Go; Frankie and Johnny; Harum Scarum; Paradise Hawaiian Style; Tickle Me; Spinout and Clambake.
We would arrive at the studio each morning, and before Elvis’ make-up was applied I would do his hair in his dressing room. During the day’s shooting I would be on the set making sure his hair matched scenes and was looking appropriate. Typically, I would have to redo his hair a half-dozen times a day because he was so active in the films. Although Elvis had a perfect full head of hair, it did lack body. Therefore I had to constantly spray it, and when it came to the type of shampoo that I used, it was a custom solution that I prepared. I always used a mild pH base, to which I would add vitamin E oil, Aloe Vera gel, Jojoba oil and other ingredients to keep his hair healthy and looking great. He also received from me regular shampooing, brushing and scalp massage. Pomade? Never! That was a no-no. The only pomades available in those days were detrimental: heavy and clogging the pores; they would have worked against the full, healthy head of hair that Elvis possessed and that I worked to maintain.

When it came to dying his hair black, I used a wonderful product from a
company called “Lapinol”, which is no longer in business. I later used
Clairol or sometimes L’Oreal. On tour in the seventies, I would do his hair
before we left the hotel or on the plane. Backstage before a performance I
would tinker with it, making sure it looked right.” It was Larry who trimmed
Elvis’ hair for the funeral at the request of Vernon Presley and when he
discovered Elvis had greying hair he had to use his partner’s black eyebrow
pencil to blacken the grey roots.

Source: Cyber Club Elvisly Yours - Newsletter 41

Published in: on August 16, 2006 at 11:23 am Comments (3)