Getting Old At The Grand Ole Opry


Stonewall-Jackson-recorded-live-at-The-Grand-Ole-OpryWatching John McCain run for President is good for America.  It shows that older Americans are vital, capable, and can even be more energetic than some of the journalists covering the Arizona Senator.  You do not have to agree with McCain’s views to understand the powerful message he sends about aging in America.  And for the sake of my argument let us forget his attempt at stand-up comedy during the past few days.  The message that McCain sends is that growing older need not be boring, or sideline anyone.

Unfortunately not everyone has received that message.  For starters consider the outlandish actions of the Grand Ole Opry, the longest continuous radio show in America that is now in its 82nd year.  Every Friday and Saturday night country music stars perform one or two songs on the world famous stage in Nashville, followed by live commercials for such products as Martha White Biscuits, or Goo Goo Clusters that ushers on the next act.  The radio show, about 2 and 1/2 hours long, is broadcast every weekend on WSM Radio (The Air Castle Of The South) before a couple thousand people.

The stars of country music, when the Opry was just getting established, are being forced off the stage.  These are the stars with true talent at showmanship, which is far different from just being a solid singer or musician with a great manager.  These are the voices and images that started during the formative days of the Opry, and are still eager to stand on that round circle at center stage.   But the management of the Opry thinks they are to old, and so have removed them for younger artists.

Stonewall Jackson, Charlie Louvin and others say they joined the Opry decades ago with the understanding that if they appeared a required number of times each year at the peak of their career they could still play the Opry in the later years of their careers.  Gaylord Entertainment, owners of the Opry, disputes that any performing guarantees were ever made, and insists that the older stars are not being pushed off the stage due to their age.

Last summer I had a most pleasurable conversation with 79-year-old Charlie Louvin who just released a new CD featuring one song with Elvis Costello. Charlie also did a number of shows with Elvis Presley in the 1950’s.  While backstage in southern Wisconsin as he smoked a few cigarettes and signed my guitar and autographs for folks who ambled by, he kept telling me stories about the days traveling and singing with his brother, Ira.  I was very interested in his stories and he seemed to get quite nostalgic as he spoke.  Many a week would end for the famous brothers as they made a mad dash from far-flung places to get back to “The Mother Church of Country Music”, the Ryman Auditorium, and their set for the Opry stage.  To be a member of the Opry one had to perform 26 times a year, and was paid $15.00, a far cry from what could be made on the road.  Charlie estimated that an act lost on average over $50,000 per year, but he was proud to be a part of the Opry and never complained.

But now Louvin and others are losing their health insurance due to limited performances, as salaries from those performances are the basis for coverage from the American Federation of Television and Radio Artists.  There is something so very wrong with this action by Gaylord Entertainment and what it says about one of our most remarkable slices of Americana, The Grand Ole Opry.

As a boy on Saturday nights I would move the radio around in our living room in central Wisconsin, using the cord as an antenna for better AM reception until the music from Nashville filled the room.  A couple decades later my parents would be recognized from the Opry stage by famed WSM musicologist Eddie Stubbs for their 50th wedding anniversary as we all sat watching a live Opry broadcast in Nashville.

This is not just another musical venue. This is about as real and authentic a slice of history as one can get about what early radio, and early country music were all about.  As such, the closer one can get to the past and experience the living stars of yesterday, the more accurate is the understanding of the time when the likes of Minnie Pearl and Roy Acuff were taking the stage.  None of those singers and musicians knew what the future held, but were sure they wanted to be there when that big red curtain went up.  For 82 years that tradition has endured and it is mighty sad to think that some still want to be there to perform, but have been rejected due to the age factor.

To remove the past at the Opry in order to bring on the latest singer with tight jeans and a cowboy hat (and often these days too much red-neck) is unseemly.  I admit to being a bit of a purist on the issue, but there is a huge gulf between the likes of Little Jimmy Dickens and the latest singer today with a massive PR effort.  It comes down to showmanship and on-stage talent.

Last summer in Wisconsin I again had the chance to see Little Jimmy Dickens on stage, and this time he had a 30-minute set.  He was energetic, had a series of snappy one-liners, and even a slight costume change on stage.  And he had the crowd in his control after all these years.  I think the vast majority of the current ’15 minute wonders’ will not be anywhere near a stage when they are 82.   The old performers, the solid parts of the Opry, love the applause and it has been my personal experience that everyone gets a handshake and a chance to converse when around them.  They are truly national treasures.

The Opry is making a huge mistake by removing some of the performers that made that stage so mighty impressive over the decades. We are displacing a part of the past before they will leave the stage for the last time and go to the biggest Opry show to be played.  It does not need to be that way.  Gaylord Entertainment is greedy and as a result we all lose something.

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34 thoughts on “Getting Old At The Grand Ole Opry

  1. Pingback: Reba McEntire Duet Album Scheduled For Later This Year And Discussion Continued On Jackson Vs. The Opry -- The 9513

  2. Big Money G

    The Grand Ole Opry was to be the last refuge for real country music–not modern “rural redneck contemporary.” Looks like Gaylord is finally wanting to bury it and bring on the young rednecks with the tight jeans and pretty belly buttons.

  3. Lee Barnes

    Your right they make big then they are gone.Won’t be back when they are 50 let alone 80.Where’s G. Brooks,S. Twain,Little Texas,Black Hawk.The list goes on and on.Thank’s for bringing it to the front.Stonewall told it would happen long ago.So did Charley Louvin. Jim Ed Brown.Wish they could join up with there own Opry and get Eddie Stubbs to put radio part together.More than short note but sore spot for me could go on and on.Lee

  4. Faye Reeves

    Thanks for writing this and letting me know.
    What a great tribute for these wonderful grand ole opry stars. I wish those responsible at the opry who book the performers could realize how many of us miss these great performers. Thanks again for your article about Del (Reeves). I have printed it out and shared it with the rest of the Reeves’ family. These folks you have written about were such great friends of Del’s and I am so glad that there are people who appreciate them.

  5. robert Knight

    I think its a shame that a company can get so greedy. In my opinion Gaylord is being discriminatory by pushing the older performers off the Opry. You would think theywould have learned their lesson when they closed opryland but I guess you can’t teach them anything. I think people should stop going to the opry till the company gets its priorities straight .

  6. Lorettafan

    Country Music is no longer Country Music. I have been to the Opry 3 times in the last 9 months and i miss seeing all the “Country Stars”!!! Thanks to PETE FISHER. That is what happens when you bring someone in from NY to Nashville. Country Music is no longer country music. I MISS the reall country stars! I love it when Loretta Lynn graces the Opry stage and you can just about bet the place will be sold out when she is there! It just isn’t fair to us REAL COUNTRY FANS to not see REAL COUNTRY music when we attend the OPRY! PETE FISHER you need to wake up and bring back “REAL COUNTRY to the OPRY STAGE”!!!

  7. Edward C

    I am stunned about forcing out the older Opry stars It is a crying shame to the Country music Industry. Grand Ole Opry Is more than just a place for country singers to Sing, Its a Shrine For the Country Music fans . I like some of the new singers But most would scare the heck out of The Country Spirits wandering around the Opry. . If Roy Acuff thought that Elvis wouldn’t be great and especially in Country music, My god, what would he say now with these uptown country Rockers.. He would wilt in his boots.. . . Keep the Old guys there, wE love them

  8. Randal Bridges

    When I do watch the Grand Ole Opry, I tune in to watch the classic stars of country music, such as Loretta Lynn, Connie Smith, Dolly, etc. I feel the Opry is treating it’s older stars like the music industry itself is, no matter how good a Cd a classic artist releases, if it doesn’t “fit In” with what is the current taste in country music, it won’t get programmed. Look at Loretta’s “Van Lear Rose” Cd, no airplay but the Cd won two Grammy’s! Dolly’s current Cd “Those Were The Days” is wondeful but no airplay, thank God for the video people who played Dolly’s video “Imagine” from the Cd. It’s a total disgrace to these wonderful artists who made country music grow from it’s infancy.

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